New Mexico Potters and Clay Artists
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Cricket Appel

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Lee Akins
Cricket Appel
Amber Archer
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Joe Bova
SheenaCameron
Tamara Cameron
Barbara Campbell
Dan Cappacio
David Conrad
Kathryne Cyman
Sara Lee D'Alessandro
Mary Sharp Davis
JoAnne DeKeuster
Kevin DeKeuster
Elizabeth Donsbach
Adel Devalcourt
Gloria Gilmore House
Carolyn Efner
Liz Fiset
Eileen Gorman
Philip Green
Barbara Harnack
Sandra Harrington
Theo Helmstadter
Alexis Higginbotham
Cheryl Hoagland
Marc Hudson
Linda R. Kastner
Daisy Kates
Barbara King
Michael Lancaster
Jody Lentz
Misha Malpica
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Judy Nelson-Moore
Shel Neymark
Casey Pendergast
Mario Quilles
Judith Richey
Kari Rives
Elizabeth Rose
Anne Russell
John Sapienza
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Barry Slavin
Cirrelda Snider-Bryan
Evan Speegle
Rusty Spicer
Grady Stem
Christina Sullo
Marilu Tejero
Kristin C. Thacher
Darla Graff Thompson
Michael Ray Thornton
Toni Trosky
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Irene Renee Wiley
Frank Willett
Betsy Williams
Tomás R. Wolff

5708 Stillbrooke NW
Albuquerque, NM 87120

Email:cricket@abqarts.org
Phone: 505/922-1559 (home)
505/268-1920 (office)


Desert Dance

18" diameter

Porcelain with luster and china paint

These vessels are slip-cast porcelain -- the molds are original and made from carved plaster originals.  The surface is entirely hand-painted with china paint. I silk-screen china paint decals for the remaining detailed decoration.  These are applied in layers with firings between each layer.  The gold is then applied and fired. Each vessel is fired at least 10 times.




Missouri Starlight

10" tall

Porcelain with Lennox gold luster and china paint

 

Artist's Statement:

The inspiration for the design and decoration of my work comes directly from 18th Century Sevres porcelain.  The methods I use for the production of these pieces is very similar to those developed by the French.  The major variation is the use of china paint decals rather than the hand-painted scenes on the French vessels.  

The subject matter and patterns are a direct influence of the years I spent living in the Southwest, combined with my more recently acquired interest in quilting while living in Indiana.  I enjoy the juxtapostion of the rough and tough desert landscape on such elegant vessels.  Not unlike the women of the pioneer days who labored over their fabric patches, I found myself drawn into the patterns, images and composition of these works.  Fond memories of my childhood overwhelmed me.  Curling up at my grandmother's house for a nap under her treasured "crazy" quilt.  I remember dozing off having examined many of the small pieces of fabric and the elegant stitching.  I create stories and scenes in my mind.  

As I decorate these vessels, I find myself again focusing on each individual piece and fantasizing about what secrets it holds.

 


Handbuilt Paper clay with china paints
13" tall

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