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Lee Akins

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Lee Akins
Cricket Appel
Amber Archer
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Joe Bova
SheenaCameron
Tamara Cameron
Barbara Campbell
Dan Cappacio
David Conrad
Kathryne Cyman
Sara Lee D'Alessandro
Mary Sharp Davis
JoAnne DeKeuster
Kevin DeKeuster
Elizabeth Donsbach
Adel Devalcourt
Gloria Gilmore House
Carolyn Efner
Liz Fiset
Eileen Gorman
Philip Green
Barbara Harnack
Sandra Harrington
Theo Helmstadter
Alexis Higginbotham
Cheryl Hoagland
Marc Hudson
Linda R. Kastner
Daisy Kates
Barbara King
Michael Lancaster
Jody Lentz
Misha Malpica
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Judy Nelson-Moore
Shel Neymark
Casey Pendergast
Mario Quilles
Judith Richey
Kari Rives
Elizabeth Rose
Anne Russell
John Sapienza
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Barry Slavin
Cirrelda Snider-Bryan
Evan Speegle
Rusty Spicer
Grady Stem
Christina Sullo
Marilu Tejero
Kristin C. Thacher
Darla Graff Thompson
Michael Ray Thornton
Toni Trosky
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Irene Renee Wiley
Frank Willett
Betsy Williams
Tomás R. Wolff

2282A Hwy 68
Rinconada, NM 87531
email: lsakins@gmail.com
studio open by appointment
mailing address:
P.O. Box 1873, Ranchos de Taos, NM 87557

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Lee Akins

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Lee Akins.

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Artist's Statement:

Lee Akins was born in Texas but spent most of his early years in Taiwan. After he received his BFA in Ceramics from The Dayton Art Institute in 1975, Lee moved to Taiwan to teach K-12 art. In 1979, he returned to Texas and taught ceramics in the Dallas County Community College and then at Collin College in Plano. Lee completed his MFA in 1986 at Southern Methodist University. In 2008 he retired early and moved to New Mexico to become a full time studio potter.

Lee coil builds terracotta, creating vessels and sculptures influenced by his time in Asia. Archetypal forms are covered with matt patina surfaces. Lee says of his work:

"My work seeks to combine figurative imagery with the format of the traditional clay vessel.  The vessel has historically been a powerful metaphor for the body, with each part of the pot being named for the corresponding area of the body.  A full lip, a gentle curve of the neck, a rotund belly or a broad shoulder all combine to provide animation to the pot.  Some of my pieces are predominantly male, some are a synthesis of male and female but most are female forms inspired by fertility figures found in most early cultures.  The Venus of Willendorf and the stone carvings of the Cycladic culture are some of the most powerful to me.  My most recent work strives toward an elegant organic form, one that is obviously a hand-made object but has an internal natural order."

"My pieces are coil-built out of terra cotta clay.  Coiling allows me to control the form while the joining marks provide an inherent rhythm to the surface.  The terra-cotta gives me a warmth to the colors, yet allows a wide choice of finishes.  Peeling paint and mossy rocks provide sources of inspiration for the color and textures of my work."

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