New Mexico Potters and Clay Artists
NMPCA Studio Tour

Studio Tour

Sara Lee D'Alessandro

View Map

Lee Akins
Cricket Appel
Amber Archer
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Joe Bova
SheenaCameron
Tamara Cameron
Barbara Campbell
Dan Cappacio
David Conrad
Kathryne Cyman
Sara Lee D'Alessandro
Mary Sharp Davis
JoAnne DeKeuster
Kevin DeKeuster
Elizabeth Donsbach
Adel Devalcourt
Gloria Gilmore House
Carolyn Efner
Liz Fiset
Eileen Gorman
Philip Green
Barbara Harnack
Sandra Harrington
Theo Helmstadter
Alexis Higginbotham
Cheryl Hoagland
Marc Hudson
Linda R. Kastner
Daisy Kates
Barbara King
Michael Lancaster
Jody Lentz
Misha Malpica
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Judy Nelson-Moore
Shel Neymark
Casey Pendergast
Mario Quilles
Judith Richey
Kari Rives
Elizabeth Rose
Anne Russell
John Sapienza
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Barry Slavin
Cirrelda Snider-Bryan
Evan Speegle
Rusty Spicer
Grady Stem
Christina Sullo
Marilu Tejero
Kristin C. Thacher
Darla Graff Thompson
Michael Ray Thornton
Toni Trosky
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Irene Renee Wiley
Frank Willett
Betsy Williams
Tomás R. Wolff

Mudwasp Sculpture Site
32 Reed Road
Cuba, NM  87013
mudwasp@windstream.net
Website:  www.saradalessandro.com
Represented in Albuquerque, New Mexico by Matrix Fine Art, 3812 Central SE, 505.268-8952
Also represented by Galerie Pelar Ltd (UK) at www.galeriepelar.com

Sara Lee D'Alessandro

Lord of the Flies

terra cotta and white clay 

28" high

Spike

slice form

7' high
“Dulcinea” spire 8.5' high and “Spawn” 11' high, both unique

 

Sara D'Alessanddro.asp

Artist's Statement:

Clay has always been my primary medium.  It has been a dance of over forty years.  Clay offers qualities no other media offers.  These qualities which keep me enthralled are: the ability to convey motion and flux, the capacity for great textural involvement, the rendering of “pulse,” immediacy, and it’s light absorbing quality.   Clay is a physical manifestation of the maw of time.  It is a sensory organ of the earth.
I like working large, free from the table top.  Scale is large not monumental. Personable scale with the sculpture standing on the ground creates a “tableaux vivants” experience, with viewers becoming part of the installation.  Installations are usually in groups, although, occasionally a sculpture is shown individually.  Each sculpture is a unique, that is to say “one of a kind.”
The form is organic, not idealized. They rise up from the ground,  yearning.  Surfaces are highly textured to be light responsive.  Outside installations animate as shadows move with the shifting arc of the sun..  Terra cotta, properly installed, is immensely suitable for outdoors. See installation notes on web site:  www.saradalessandro.com

I want my sculpture to impart a sense of being inhabited.   They are spirit vessels

Sara D'Alessandro
Undaunted
terra cotta and white clay spiral, 8' high
Back to NMPCA Main Page / ©2011 New Mexico Potters and Clay Artists. All images copyright of the respective artists. Contact Webmaster.